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When I Die, Will I Get Better?
by Svalbard
supported by 192 fans who also own “Cremation Party”
This album hits like a ton of bricks. I can't say how long it's been since a band reached me like this, but I can't get enough. The driving rhythm, the ghostly floating leads, the haunting and direct lyrics, the desperation in her voice... Powerful.
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supported by 191 fans who also own “Cremation Party”
Even for this genre the sheer intensity of this album always manages to floor me. Might not be the most unique album under the sun but it doesn't have to be; the performances are tight and ferocious, the songwriting is dynamic and explosive, the production is crushing, it's just all things to a mathcore fan.
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supported by 187 fans who also own “Cremation Party”
One of the most unsettling albums i have heard in a while. Chat Pile creates a grotesque blend of noise and groove that brings me back everytime.
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The Behavior Of Fighting Animals
by Lavish Glass
Jagged, brutal hardcore that borders on noise at times—in a good way!—every element ramped into the red.
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Transitional Forms
by 𝖘𝖍𝖆𝖗𝖕𝖙𝖔𝖔𝖙𝖍
Sharptooth fight bigotry with melodic hardcore, their breakdowns an ideal vehicle for singer Lauren Kashan's incendiary insights.
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Sundered
by Where The Waves Are Born
Scalding metalcore from Spain, “Where the Waves Are Born” swings from clean to growled vocals over blindingly intricate fretwork.
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Where Myth Becomes Memory
by Rolo Tomassi
supported by 187 fans who also own “Cremation Party”
This album is overwhelmingly good. I've been making music for long enough and listened to too much music to not be impressed easily. This album is goosebumps from beginning till end. Completely different realm of existence of good.
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